Several days after announcing their first four official entries, the Metro Manila Film Festival (MMFF) is still under fire. Three Executive Committee (Execom) members, namely film academic Rolando Tolentino, journalist Kara Magsanoc-Alikpala, and acclaimed screenwriter Ricky Lee, have resigned.
And although they've somewhat kept
They resigned, however, upon realizing that the committee was "putting too much emphasis on commerce over art." They also made it clear that their resignation had nothing to do with the four announced entries, and that they had wanted to resign long before then. (This was previously hinted at by Erik Matti in an interview with the press.)
They also stressed that producing a box-office hit and creating quality films can be done by both major studios and independent film outfits. More than that, they said all excellent films "deserve all forms of support," including being screened for the entire duration of the festival both inside and outside of Manila.
Patunay ang MMFF script selections na tunay ang hidwaan ng komersyal at kalidad, tunay din may kapangyarihan ang komersyal interes.— rolando tolentino (@rolandtolentino) July 1, 2017
The MMFF is notorious for pulling out low-performing films without prior notice, sometimes even within the first few days of the festival. In 2016, for instance, films like Oro and Saving Sally, had to rally audiences via social media in order to stay in cinemas.
Lee, Tolentino, and Alikpala ended their statement, saying, "We stand committed to
Meanwhile, in a separate statement, Film Development Council of the Philippines (FDCP) Chair Liza Dino-Seguerra said that although she "wasn't happy" with the turn of events, the majority within the Execom had to be followed and added that last year's earnings "were not enough to sustain a theater industry."
This story originally appeared on Spot.ph. Minor edits have been made by the Townandcountry.ph editors.